5 - Extrinsic Arguments
Many authors attempt to account for the Canon on sociological or historical grounds only. The very notion of a Canon is elitist, archaic, oppresive - superstitious even - and thoroughly arbitrary. It is a tool of imperialism and/or patriarchy. Consequently, many non-western writers hold this view. Abdul R. JanMohamend writes of “attempts by ethno-centric Canonizers in English and other (Western) language and literature departments to ignore Third World culture and art...” . Feminist writers may also claim to subvert the very “idea (and ideal) of the Canon”.
6- Canon as “Figure”
Bill Readings, a proponent of deconstruction, holds that the Canon is a self-imploding literary construct. “Canonicity”, he writes, is “inherently deviant from any fixed form that a Canon might assume...[it] is a process, like writing, divided againts itself”. Canons are attempts to preserve texts in written form, to achieve stability and closure against the instability of speech. However, Readings argues, following Jacques Derrida, that writing is itself inherently instable and self-contradictory. Canon operates in culture as a substitute for memory. It is a way of reading a text.
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