Sunday, September 11, 2011

Evangelicalism and 'High' Culture

I have been reading James Davison Hunter's fascinating book To Change the World - The Irony, Tragedy and Possibility of Christianity in the Late Modern World.

There's lots to say about this provocative book, but one particular thing caught my eye. Hunter points out that evangelicalism as a movement is prodigious at cultural production at a popular level (esp in the US) but has almost no traction in 'high' culture.

There's good reasons for this. The instinct of evangelicalism is thoroughly egalitarian, in recognition of the significance of every human individual and the universal appeal of the gospel. Elitism is abhorrent to true Christianity and especially to missionary Christianity. As Hunter says, 'elitism for believers is despicable and utterly anathema to the gospel they cherish'. Heaven forbid that churches of all places be the sites of exclusion and condescension.

But populism has its own vices. As Hunter puts it:
the populism that is inherent to authentic Christian witness is often transformed into an oppressive egalitarianism that will suffer no distinction between higher and lower or better and worse. At its worst, it can take form as a 'tyranny of the majority' that will recognise no authority, nor hierarchy of value or quality or significance. When populism becomes a cultural egalitarianism, there is no incentive and no encouragement to excellence. (p. 94)

The dilemma that arises from this observation is this: the evangelical movement, which has aspirations to changing the world and not just winning souls, is addicted to a populism which is at odds with what we know about 'the dynamics of world-changing' - that is, that it comes from the production of excellent cultural items. As Hunter says:
there is an unavoidable tension between pursuing excellence and the social consequences of its achievenem; between leadership and an elitism that all too often comes with it. Is it possible to pursue excellence and, under God's sovereignty, be in a position of influence and privilege and not be ensnared by the trappings of elitism? (p. 94)

The trouble is, too, that this tendency to populism means that evangelical Christianity often imbibes the worst features of popular culture - its shallowness, its brittlenes and its attention deficit problems, for example.

Davison Hunter's overarching thesis, by the way, is that Christians need to remember that their calling is not to seize power or transform culture but to faithfully witness to it. Sounds like martyrdom to me!

4 comments:

arthurandtamie said...

Hi Michael

What kind of evangelicalism are we talking about?

To what extent are Aussie evangelicals perpetuating Koorong Kulture? (Populism...)

I suspect your point stands at least in terms of the arts (and high culture)... How much are Aussie evangelicals actually involved in the arts?

Arthur

lachlanb said...

Hi Mike,
I've been wondering about this for a bit and so the book sounds really interesting.

I wonder if there is something to be said for a certain manifestation of evangelical aesthetics that is low, egalitarian, anti-elitist, but that celebrates all this stuff in an excellent way. I am thinking of things like Tim Winton's writing, for example.

I guess my own poetry is in many instances (but not all) an attempt to produce something like this, to take bits of suburbia, pieces of 'low' culture and display their weird kind of beauty. Of course poetry itself is such a strange artform at this point in history, at once derided for being too high (abstract etc) but also attempted by innumerable amateurs (everyone can try it!) so it is a kind of low form of art.

It seems that for me, certain beautiful images attach themselves to evangelicalism in suburban Australia. And these have their own aesthetic language. I am thinking of things like those church halls with wooden floors, bad art and chairs that don't stack. I am thinking of the kid at mac fields who offered to sell me a stolen nintendo five weeks into bible study. I am thinking of a talk I gave for the youth group at Tregear Pressie where all the kids cheered Corey Worthington when I showed them a picture. I am thinking of church Bibles with graffiti (particularly on page 666) or weak cordial at morning tea or craft nights with a guest speaker. Now you could argue that these things are just images of any kind of church, but I think they do give a sense of evangelicalism's commitment to evangelism, its focus on the Bible to the exclusion of other things, its irredeemable 'uncoolness' even when trying to be relevant. These images also stem from the way evangelicalism reaches out to the overlooked and tries to bring God's word to those people who might be least equipped to even read it.

I know this is only one strand of evangelicalism (it's not Hillsong, for example). But I am becoming more interested in this landscape as a site of its own kind of beauty :)

Lachlan Br0wn

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Sue said...

Speaking of popular and evangelical Christianity and its relation to High Culture in the USA, why not check out the interview with Noam Chomsky at Democracy Now re the fruit loop nature of the 2012 GOP presidential candidates (and who thus thus appeal to)