Thursday, March 30, 2006

giddens and self-identity

I have been reading a terrific book called "Modernity and Self-identity" by Anthony Giddens.

He is very good at describing how we cast ourselves as selves in the contemporary world. Modernity's fundamental attitude towards knowledge is radical scepticism and doubt...which means that when it comes to 'making the self' we have to do it alone..'reflexively'. But we do it amidst a bewildering array of options and possibilities. That is a fact of post-traditional life. No wonder we are anxious...

Trust is basic to modernity, because we have given over knowledge in so many areas to experts. We need to trust them in order to operate: that the train driver knows what he is doing, that the vitamins we take won't give us cancer, that omega 3 oils are good for us, etc. Which is why when expert knowledge is proven mistaken or corrupt we are thrown into such anxiety... it is also true that some of this expert knowledge is getting us into trouble, because we can't integrate it into a whole. So, we may take a pill that solves one problem, only to find it gives us another.

Modernity, says Giddens, is a 'risk culture'. He means that the concept of risk is fundamental to the way we organise the social world. We assess the future by means of calculating risk (rather than entrusting ourselves to prayer, for example). But at the same time, modernity has introduced new, global risks... apocalyptic risks, you might say. Paradoxically, moderns still talk of fate and destiny...

So: 'self-identity becomes a reflexively organised endeavour. The reflexive project of the self...consists in the sustaining of coherent, yet continuously revised, biographical narratives '. We see oursleves as 'writing'/'performing' on life's stage. This is where 'lifestyle' comes in: it is our choice of life-story as far as we have a choice. It is also interesting that the intimate relationship - the 'pure relationship', not formed from anything other than choice - has become so crucial to the way we project our lives.

This affects the body as well... the body as an outward form of our self is subject to our construction and control, or at least our attempts to do so. He notes along with this that our culture has a powerful sense of shame attached to bodies especially, and has largely lost our sense of guilt.

Giddens also notes that the reflexive project of the self generates programmes of actualisation and mastery, though these lack moral meaning.... 'authenticity becomes both a pre-eminent value and a framework for self-actualisation, but represents a morally stunted process' (p. 9).

Wow: there is so much dense thought here and so much of relevance for my project and for Christian thinkers generally. I think martyrs are interesting here because of the way in which they incorporate death into a life-narrative: and also because they have a specific attitude to the future which supercedes calculation of risk...

(NB: I will be away in Cornwall for two weeks: blessed Passiontide and Easter to everyone).

3 comments:

Jenny said...

Hi Michael. Just thought we'd drop by and see what you are up to.

Jenny and Andrew xxx

MM said...

Greetings! I just discovered your blog while doing research on John Milbank, and really appreciated your past review. Thanks and best-

Megs said...

hello!
megs here.
found your blog in justin's comment on the pocknall's blog.
just musing gidden's ideas about us ... self-conscious, longing for authenticity, perhaps so aware of ourselves that we see the gulf between our ideal of being real and our actual connivings... blended with our post-modern distrust of anything but what we ourselves authentically and experientially validate ... there is a lot of conflict going on inside us, isn't there?
i've just read this one bit so far on your blog, so i suppose your mention of martyrs must refer to an uber-analysis (unless it's that extra fabulous STONED STEPHEN AND THE MARTYRS living on!!)
Cheers,
Megs